It’s the most wonderful time of the yeeeeeear!
You guys, this is the biggest sale I’ve ever had! I really wanna clean out my shop and make room for some new designs and pieces.
Oh, and I forgot to mention in the pic – FREE shipping for the rest of 2018!
Everything in my shop is on sale, from 20% up to 40% and I’m so excited to see what else on Etsy is getting deep discounts. It’s gonna be a huge event, so get ready to get your shopping on!!!
Hey, my beady friends! I’ve got a new pattern to share with you.
This is my Glamour Garland bracelet! It uses just SuperDuos and seed beads and makes a pretty little set of leaves in a loose chevron shape and I’m really, really excited about it.
All of the colors that I used in each of the three samples is included in the pattern, on the last page. I’m going to start putting the colors in every pattern, since I get so many requests for them. ❤ When I was figuring out the thread path, I stuck with this simple purple and silver combo.
But after that…
I discovered Christmas!!! So, it turns out that if you use red and green, the bracelet ends up looking like a garland of holly berries and leaves. I’m absolutely in love. I get so excited when a design can be seasonal or not, depending on color selection. The versatility is addictive!
Then last weekend, I taught a class at Beaded Bliss (my LBS) to proofread the pattern, and I decided to get a little more playful with my color options. This one is monochromatic as far as the seed beads go, but the SuperDuos alternate between seven different colors! I really like how it kinda highlights the chevron shape.
Just a heads up – because tension and snug-fitting seed beads give this pattern its tight leaf shapes, you need to use Miyuki brand seed beads. Toho beads are just a bit too big.
So, what do you think? Christmas garland or leafy chevrons? Multi-colored or mono-chromatic? I’m excited to play around with it some more.
Hey, guys! Just got a quick post today. Remember back in 2014 when I accidentally bought a huge spool of 20lb Fireline (haha, jk. Nobody read my blog back then!)
I had a bit of brainstorming and made a pretty cuff out of 4mm cubes in a simple peyote cuff. Then a few months later I did some herringbone with 8/0 hex beads.
Aaaaaaand then I didn’t touch the giant spool of 20lb Fireline for four years. Oops.
But here I am again and I wanted to fill you in on a few more things that I’ve recently managed to use that super stiff thread to make.
First off! I have discovered that after making a bunch of beaded carrier beads, 20lb Fireline is a great way to string them into a necklace! It’s a thread, so I don’t have to worry about all that crimping nonsense, but it has virtually no slack and lends itself to the stiffer beaded needed to get that nice curve.
You guys already saw my Rainbow Ombre necklace…
But just recently I made a long-chain version with some Delica bead soup I whipped up!
The 20lb Fireline kept that curve nice and tight, which I appreciated.
A few months before that, I fell in love with this Czech glass button and decided to make a turquoise and gold version of my Stash Worm Bracelet to match. I needed to use normal 6lb thread for the embellishments, but for the square stitch base, I used this crazy thick thread and ended up needing to make fewer passes.
My next project is to take all the leftover DiscDuos and Honeycomb beads that have been left extra after my assorted Demoiselle bracelets. I’ve been saving them up and now I’m gonna string them on my monster Fireline with Toho Demi beads and drop beads to make a wrap bracelet. I haven’t finished it, but I’m excited to use up these extras and make something pretty!
Slowly, but surely, I am finding ways to use up this crazy stiff, annoyingly thick, can-only-be-used-with-a-Big-Eye-Needle gosh-darned thread. Do you guys have any more ideas for me? Someday, I will defeat this spool!
Hey, everybody!
We’re back at it with our clasp war series, where I talk about the pros and cons of different types of clasps and my suggestions for using them. Today we are talking about a real classic – buttons!
So, first off, the obvious bit – buttons are freaking gorgeous and there are so many kinds! Below this paragraph, I have photos of two of my Stash Worm bracelets. The one on the left has a fancy Czech Glass button that I purchased at my local bead shop and the the one on the right is a random button I found in an old sewing kit. The color-matching and style possibilities are endless and the variety of aesthetic options means that you can always find the perfect button to add something special to your piece. Buttons never just look like hardware – they’re always a design element.
Another great thing about button is that you can find them anywhere. You can pick up unique vintage pieces at garage sale or find hand-carved wooden ones on Etsy. You can pick something loud to build a piece around or something simple to blend in. Because so many different crafts use buttons, you aren’t limited to what bead manufacturers put out. Buttons are everywhere and you’ll never hurt for options.
For me, this is the big issue I have with buttons – they can be hard to attach. For one thing, you gotta figure out what size to make the loop so that it fits over the button easily, but isn’t so loose that you risk the bracelet falling off. You basically have to use trial and error and that can be annoying – and all the stitching, un-stitching, and re-stitching can even start to fray your thread. It can be frustrating.
You also need to take into account that your loop can make your bracelet look lopsided if your button on the opposite side is snug up against your beading. In my SuperDuo Rosette bracelets below, I left some space between the button and beading so that when the bracelet is clasped, the button looks centered. It seems to solve the problem, but it takes a little more forethought than you would usually need for your clasp.
The other issue with buttons is that they can be hard to fasten if the loop is tight. The orientation of the button can make for some weird wrist maneuvering when trying to fasten by yourself. Personally, I don’t think it’s a huge challenge, but if you usually use, say, magnetic clasps, the inconvenience will be noticeable.
So, generally I use buttons for bracelet clasps because it’s a bit less secure than I prefer for a necklace. It can be a bit fussy to make sure the loop is the exact perfect size for the button, but if you manage it, the added element of style and seamless blend between clasp and beading can be really hard to beat. I love it when a clasp doesn’t look like hardware.
What do you guts think? Do you use buttons? Have any tricks for figuring out the loop size for each one? I’d love to hear your thoughts, so pop a comment below if you have anything to add!
Hi, everybody!
In my last post, I revealed my SuperDuo Rosette Bracelet update. Since I’ll be teaching it at my LBS next month (Beaded Bliss on October 13th, if you’re in the Cincinnati area!), I wanted to make a new bracelet to leave as a sample.
So, I made a big mix of autumnal colors (I think there’s at least 12 different colors in this mix – it’s absurd) and made this bracelet.
Fun, huh? I really liked the color mix – which is good, because I had SO much left, you guys. Like, more than 20 grams. So, I started stitching up a peyote band. I figured that would use up most of the pile and I ended up with this simple beauty.
The plain peyote really let the color mix shine! BUT I still had so many beads left. I decided this time to do my SuperDuo Fishtail bracelet which is basically a single column of never-ending herringbone. I thought I could probably get a double or triple wrap bracelet out of the pile I had left.
It was so long that I had to make it into a necklace, haha. When I make bead mixes, I make TOO MUCH. Everytime.
The gorgeous glass circle is by Thornburg Bead Studios and the leaf dangle is by Leslie Watt. I was so lucky to have them waiting in my stash to match my necklace chain.
So, what do you guys think? Have you ever gotten stuck with an accidental overly-ambitious bead soup? Do you have go-to patterns for eating up excess beads? Let me know in the comments!
Hello, my lovely beady friends!
So, I think I promised this post back in June… of 2017.
Don’t judge me. I get distracted sometimes.
*ahem* But anyway! Now we are here and it is time to overhaul this old beauty!
This pattern is my baby, you guys. It’s by far my best seller and I originally made the design and taught it back when Beads Direct was still a brick and mortar store back in 2012. It was the first design I put in my Etsy shop and I consider it my star pattern.
But here’s the thing – I didn’t write the pattern myself. When I first made the design (right after SuperDuos first came out) I showed my boss (Lizelle Hards, who is still my boss and one of my favorite people) and she wanted me to teach it at the shop. I agreed, but confessed that I had no idea how to write a pattern. She graciously offered to do it for me and whipped up a pattern for me to teach with based on the hand-written instructions and terribly-drawn doodles I gave her.
Then, in 2013, the shop went online and we closed the store front. I had two or three patterns that I had written by then and wanted to sell them on Etsy, since I no longer had a place to teach them (this was before I had ties with Cathy at Beaded Bliss and Carole at Bead Stash). I asked Liz if she wanted to me to re-write the pattern, since I was going to be selling it, but she sweetly allowed me to sell it as my pattern.
And it has served me well! Liz is a great pattern writer. But, I have 30+ designs now and it has bothered me lately that my best selling pattern isn’t written in my style and looks so different from my other patterns. Plus! I wanted to add in a tweak to pin the side embellishment down (very much like the Toying with Tiles Update) and, due to popular request, I ALSO wanted to add in instructions for how to make the double-wide version that I really enjoy.
So, with that back story explained, allow me to introduce my newest oldest favorite pattern!
Tada!
So, exactly like the Toying with Tiles pattern, I have decided to do things this way. The pattern listing on Etsy, when purchased, will now include two patterns – the old one and the new one with the tweak. If you have already purchased the old pattern on Etsy and want the tweak without having to pay for the pattern twice, email me or send me a Convo through Etsy with the Order Number of our original purchase so that I can verify that you already bought the pattern. You can find your order number by going through your purchase history on Etsy. It’s a bit of a clunky system, but I think it’s the best way of making it fair.
I’ve been trying lately to provide the colors that I’ve used in my patterns in one spot for you guys, so here are the colors that I used in the cover photos. A quick caveat – I have made dozens of this bracelet and the photos are floating all over the internet. So if you see one with my logo and want to know what colors I used, you’ll need to send me the photo to ask if it isn’t listed here.
This original prototype – literally the first one I made in 2012 (OMG You can see the black paperclip that I wore as my engagement ring <3). For this baby, I used Chalk Lazure Green SuperDuos (503000-65455), Miyuki 11/0’s in Matte Metallic Bronze (2006), Miyuki 15/0’s in Dark bronze (457) and 3mm round metal beads in an antiqued bronze finish.
These are the three single versions.
The top bracelet used Jet Apricot SuperDuos (523980-29123), Miyuki 15/0’s in Steel (190), and Full Labrador Union beads for 11/0 (UB-11-131-27000), and Metallic Silver 2×3 Rondelle Crystals in place of the usual 3mm beads. I also used a really fancy Swarovski Elegant Elements box clasp.
The middle bracelet uses a bunch of different stuff. The SuperDuos were Chalk Red Luster (503000-14495), Chalk Orange Luster (503000-14413), and Chalk Light Green Luster (503000-14457). The 11/0’s were Miyuki Matte Duracoat Champagne (11-4204f) and the 15/0’s were Picasso Seafoam (15-4514). The 3mm pearls were Swarovski Pearls in Jade, Coral, and White.
The bottom bracelet used Opaque Olive Picasso SuperDuos (553410-43400) with Miyuki 15/0’s in Matte Brown AB (15-135fr) and Miyuki 11/0’s in Duracoat Opaque Eucalyptus (4481). The 3mm were one of the Saturated Metallic 3mm druks in a sort of plum color (I don’t have the number for that one – sorry!)
For the doubles!
For the top one, I used Chalk Red Luster SuperDuos again (503000-14495) and 3mm round copper metal beads. The 11/0’s were Miyuki Metallic Chocolate (461) and the 15/0s were Duracoat Galvanized Dark Coral (4209). I got the button at a bead show somewhere, I think, but any shank button will work!
For the bottom one, I used Miyuki 11/0’s and 15/0’s in Montana Gold Blue Luster (305) and the 3mm were a Saturated Metallic Turquoise kinda color. The SuperDuos were a mix that I made myself and then gave away as a prize after my facebook page got its 1000th like. It used more than 10 different colors and unfortunately, I did not write them down, as they were scraps and leftovers from my stash. If you combine a bunch of blues, greens, turquoises, and silvers from your own stash, you should be able to make your own “mermaid mix.”
Phew!
And that’s finally it, folks! I’ve been super nervous to tweak my superstar pattern, but it needed to be done and I’m really proud of the new pattern. Let me know what you guys think down below! Was it worth the re-write? Have you tried this pattern yet? I love hearing from you all. Thanks for checking in! ❤
Hey, friends! This will be a quick post with two announcements.
First off, I’m having a quick Labor Day Sale with the rest of Etsy. It starts Aug 28th and goes until Sep 3rd – So pop in and check out the deals!
Second, I am hosting a Facebook Giveaway!
It’s already running, but you have until midnight on Aug 31st to enter. The post with all the details is pinned to the top of my Facebook page here. You need to like the post and leave a comment and you just might win this huge 50 gram SuperDuo mix that I made myself!
(You’ll be seeing what I made with this mix soon!)
That’s it for now folks! Good luck! ❤
So, you guys wanna know something super embarrassing about me?
I have been beading for 13 years (half my life) and I have published (and taught) 35 original beadweaving designs. AND YET I have never been able to make peyote bezels for rivoli crystals. It’s a super basic technique that forms the base of SO many designs. I understood the concept and I do peyote all the time… but every time I would give it a go, the bezel would turn out too tight for the crystal. It was infuriating.
But I finally figured out what I was doing wrong! And look what I can do now!
I FINALLY DID IT! These were my first successful Rivoli bezels and I paired them with these gorgeous fuchsia polymer clay leaves from SummerWindArt.
Wanna know what I was doing wrong? It was my hatred of tail threads that did me in. Every time I would try to start a bezel, I would string the requisite number of Delicas (usually 36 for a 14mm Rivoli) and then I would go back through all of the beads in order to tie off the thread. Unfortunately, going through all the Delicas twice before even starting the peyote made the ring way too tight and that’s why my bezels were always too snug!
Cathy (of Beaded Bliss) tipped me off that I needed to keep my tail thread intact and not reinforce that first row and it changed everything. Putting up with a tail thread was definitely worth the success! I can’t stop making these little bezels.
I’ve had these little glass drops for so long that I have no idea what they are or where they came from. My brain says “vintage German glass”, but I have literally no memory of buying them or how I would know that, so we’re gonna call them mystery drops!
Next, I went browsing for some bezel tutorials that I would have skipped because of the peyote base and look what I found!
These earrings were made using Frolova Oksana’s free Golden Star tutorial. I had to use Google Translate on the page, but honestly, her diagrams are so good that I didn’t need the text instructions.
I am so excited at all the new design possibilities that I’ve opened up just by learning this basic technique. I can’t believe it took me so long to figure it out, but hey, we’ve all got our blind spots, right? And I know better now! Yay!
Do you guys have any tutorials on things I can do with a peyote bezel base? I’d love to get in some more practice and try some new embellishments. Leave some recommendations in the comments if you have any!
It’s time once again for another Clasp Wars post! I ran another vote on the Wescott Jewelry Facebook Page for what clasp you guys wanted to talk about next and though it was close, the good ole slide clasp just barely eked out a win!
Artful Arcos Bracelet with Antiqued Silver Two-Loop Slide Clasp
So, first off! One of the most advantageous things about slide clasps is that they are incredibly slim. This is great when you don’t want to add a lot of length to your project. It’s also great if your piece is flat and you don’t want your clasp to disturb the low profile.
I made this piece for a challenge – read about it here!
Slide clasps come in lots of different lengths. I usually use the two or three loop variety, but I’ve seen ones as long as nine loops. Regardless of how wide your bracelet is, you should be able to find a corresponding slide clasp with enough loops for a secure connection.
Ruched Tila Bracelet with Silver-Plated Two-Hole Slide Clasp
Slide clasps are also available in a variety of color and metal finishes. My favorites are the matte antique-y ones, like the matte silver below, but they coming in bright finishes as well. You can also get sterling silver, if that’s your jam.
Norelle Bracelet with Antiqued Silver Two-Hole Slide Clasp
I have found in the past that connecting them was a bit annoying. They were always perpendicular to how I was stitching, so I had to use jump rings to attach them or do some weird stitching to get bulky loops where I wanted them. But now they make slide loops with vertical loops! I don’t have any photos of jewelry made with them, since I just found out about them recently – but I am very excited to play with them in the future! 
You can also get them in a plain bar style, which is perfect for peyote stitch! I’ve used something like these once or twice, but I don’t do plain peyote stitch often enough to keep a huge supply on hand.
Tetrabella Bracelet with Copper Two-Hole Slide Clasp
I’ve also found that slide clasps are a good blend of secure and easy to use. Some of them are a bit magnetic, but the main mechanism to keep them closed is with a little tension doo-hickey in the center. Since the slide goes vertically and most sudden tugs on the bracelet will be horizontal, it tends to hold up well against stress and doesn’t break easily.
Backsplash Bracelet with Silver-Plated Two-Hole Slide Clasp
Honestly, there aren’t a lot of disadvantages to this type of clasp, but one thing I don’t love about them is that they’re a little plain looking. Adding pretty twisted jump rings can help and some times the simplicity of the clasp works better with the design, but I’ll admit, the look isn’t my favorite.
Two Years Cuff with Silver-Plated Three-Hole Slide Clasp
Another to note is that sometimes a customer won’t know how to use a slide clasp if they haven’t seen one before – it’s not always super intuitive that they slide out vertically. This is not at all a problem if you’re selling your jewelry in person, since you can just show them the magic, but if you sell online, it can be a little tricky to describe the motion through text.
This pattern is Lisa Khan’s Catherine Bracelet from her book – Bead Metamorphosis
I only use slide clasps on bracelets. They might work on multi-strand chokers, but I rarely make multi-strand necklaces and find them a little fussy to work with behind one’s neck. I use them on bracelets where I need the clasp to add as little length as possible, where the design calls for a slim, simple finish, or I’m making something particularly wide or flat.
I’ll admit, I used to use slide clasps more before I started keeping a stash of box clasps on hand. Nowadays, I don’t find myself as drawn to the simple, utilitarian style. But I have used them lots in the past and I consider them a useful staple in my stash.
Details on this bracelet can be found here!
So, do you have anything to chime in? Comment below if you have any thoughts about slide clasps! Do you like them? Use them a bunch or never tried one out? I wanna know!
Stay tuned for more Clasp Wars and other posts – and check out my Facebook page for when I post my next poll on what type of clasp to examine next!
It’s my birthday, everybody! I had all these grand plans to have a 26% off sale – because I am turning 26 today and it would have been adorable. But Etsy is only allowing sales with percentages in multiples of 5 now, so…
(Didja like my cheesy ad photo?)
Yep! Everything is 30% off, but only for today! So, hurry up and do some buying while the sale is hot. You can hold a hot dog in one hand and shop online with the other, right? I’m gonna go enjoy my fireworks, but you better get your shopping on! 😀
These guys have a great selection of Czech glass beads!
